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The frenetic caper “The Gray Man,” from the directors Anthony Russo and Joe Russo, boasts more vibrant color than the typical globe-trotting shoot-em-up about the C.I.A., a distinctly drab organization. The Russos’ lead, an agent known as Six (Ryan Gosling), wears a snazzy red suit with matching fingernail polish to his first onscreen assassination. Six works for his freedom, not his 401(k): He is a convicted murderer who was plucked from prison by a government suit (played by Billy Bob Thornton) and placed in a secret kill squadron. He seems to be OK with the deal, despite showing a light layer of fatigue that Gosling wears like a rain poncho.

The Russos’ more-is-more filmmaking ethos leaves little room for Gosling to explore Six’s complexities. Six’s opening hit goes askew, shattering his job security. And as this extravagant adventure sprints across 10 countries, including Thailand and Azerbaijan, Six remains unflappably blasé. “I get it, you’re glib,” Thornton’s character says to him. So is every other person in the movie, a funny, if indistinguishable, blitz of quipping colleagues, snarky villains (including the main bad guy, a heavy played by Chris Evans) and a hardened cancer patient (Alfre Woodard) who glowers, “If you say anything even remotely sympathetic, I will shoot you.”

‘The Gray Man’ Review: Guy vs. Guy – iNow

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